Hellboy II and Other
I saw Hellboy II a little later than I usually do. Dylan and I discovered that the Metro shuts down at midnight on weekdays in DC – didn’t cause problems when I lived in Georgetown, but it certainly hampers any sort of mid-week nightlife if I’m anywhere that doesn’t have a movie theatre within walking distance!
So we went Friday. Barely made the showing, in fact, which resulted in our being stuck up at the very front. My neck is still sore. Was it worth it? Hell yeah.
This is not the same Hellboy as the first. Gone is the focus on super-secret supernatural badassery (mostly because Hellboy reveals himself to the press early on); but with that facade gone, the door is opened to a whole new identity crisis for our hero. He finds himself hated and feared by humans, rather than revered. Gee – raise your hand if you didn’t see THAT coming! Enter the bad guy: Prince Nuada, last scion of the “elves” (modeled after the Tuatha de Danann of Gaelic fame). He’s passionate, but ultimately not all that menacing on screen, prefering instead to dispatch nastier beasties to do his bidding. He DOES, however, prove to be quite a schemer – putting Hellboy, for instance, in the position of killing the last Forest Elemental, a being of great beauty and grace, just to torture Hellboy’s conscience a little.
The weakness of the main villain, however, lets the movie focus on the development of our heroes. We’ve lost Meyers, but gained Johann Krauss – a medium composed entirely of ectoplasm. Cool beans, right? Despite the vast potential for screw-ups, Del Toro actually manages to make the character believable; and even with his shorter screen time, we see the character evolve to become part of the team in a thoroughly satisfying way.
In fact, the whole movie is thoroughly satisfying. There is one scene in particular – around half-way through the movie – where Hellboy and Abe drink, and muse on life and love. It’s moving in its natural power, choreographed like a well-written symphony, all to the unlikely tune of “Can’t Smile Without You” (sung by Barry Manilow). It’s quite possibly one of my favorite scenes of all time.
For all that, however, the movie fails to truly wow. It meanders from plot point to plot point with very little tangible conflict; just one witty quip and fantastic monster after another. It’s a pleasure to watch, but hardly world-shaking. I recommend it to any fan of folk tales, lore, and the supernatural; as well as to anyone who just likes to watch a fun action flick; but don’t go in expecting anything profound. The first movie was probably better for that.
On the blog… For those of you who don’t know, tomorrow is my last day of freedom before I’m plunged into the “real world”. I’m sure it’ll go by quickly and without celebration: after all, I have to be in bed by 9 PM if I hope to get to orientation on time and still get a decent night’s sleep. That sucks, but I guess sacrifices must be made…
I expect the first week or so will be busy, and that this blog will suffer. I’ll write when I can, though – you know, for those of you who read it…
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